A family man struggling to hold it all together discovers a parlor that offers a solution...sexbots.

What will the future be like in the year 2050? Endgame 2050 is a feature-length documentary that gives us a glimpse into that future, and it does not look good. Featuring musician Moby along with leading scientists, and created by physician turned environmentalist Sofia Pineda Ochoa, Endgame 2050 is an urgent call to action to tackle the existential crises bearing down on the planet.

Alex Danko descends into the ultra-violent underworld of extreme martial-arts to find his brother's killer with the help of hardened Detective Ramirez and his brother's alluring ex-lover in this post-apocalyptic allegory of greed and revenge set in in 2050 Los Angeles.

As our profit-driven food systems crumble and our planet rapidly becomes unlivable, a group of global visionaries – activists, farmers, doctors, and scientists – lead extraordinary efforts to ensure a healthy, equitable, and sustainable food future.

节目围绕人工智能、云计算、航空航天、智慧城市等众多科技领域展开。每一期选定一个前沿科技作为主题，运用通俗易懂的语言普及相关科技知识，绘声绘色地讲述科技奇才们追求梦想的故事，借此展现当代科技人物的社会责任感以及“科技兴国”的精神主旨。让观众在欢声笑语中认识人物，在感动氛围中见证科技奇迹。

节目聚焦人工智能、云计算、航空航天、智慧城市等多个科技领域。每期以一个前沿科技为主题，用深入浅出的语言普及科技知识，生动有趣地讲述科技奇才们的逐梦故事，以此展现当代科技人物的社会担当以及“科技兴国”的精神内核。在欢笑中了解人物，在感动中见证奇迹。

随着经济发展和科学进步，生活和生产中出现了越来越多的高科技产品。科技领域的变化日新月异，未来主义者们开始畅想2050年的面貌。发明者们大胆创新，从大自然汲取灵感，从生活中获得启发，设计制作出了一系列应用范围广、实用性强、科技含量高、甚至可能改变人类未来的科技产品，比如机器蛇、四旋翼飞行器、垂直农业、VR消防员面罩、安保机器人、火星车…… 一起进入一个科技当道的未来新世界，尽在本期地球未来2050。

The journey of She and Loverboy – a dealer of the sacred flower’s seeds. Led by the invisible force of the kidnapper, she is soon caught in a delusion of their strangely automatic, lonely honeymoon

Explosive bursts of fire open Technology/Transformation, an incendiary deconstruction of the ideology embedded in television form and pop cultural iconography. Appropriating imagery from the 1970s TV series Wonder Woman, Birnbaum isolates and repeats the moment of the "real" woman's symbolic transformation into super-hero. Entrapped in her magical metamorphosis by Birnbaum's stuttering edits, Wonder Woman spins dizzily like a music-box doll. Through radical manipulation of this female Pop icon, she subverts its meaning within the television text. Arresting the flow of images through fragmentation and repetition, Birnbaum condenses the comic-book narrative — Wonder Woman deflects bullets off her bracelets, "cuts" her throat in a hall of mirrors — distilling its essence to allow the subtext to emerge. In a further textual deconstruction, she spells out the words to the song Wonder Woman in Discoland on the screen. The lyrics' double entendres ("Get us out from under... Wonder Woman") reveal the sexual source of the superwoman's supposed empowerment: "Shake thy Wonder Maker." Writing about the "stutter-step progression of 'extended moments' of transformation from Wonder Woman," Birnbaum states, "The abbreviated narrative — running, spinning, saving a man — allows the underlying theme to surface: psychological transformation versus television product. Real becomes Wonder in order to "do good" (be moral) in an (a) or (im)moral society."

Explosive bursts of fire open Technology/Transformation, an incendiary deconstruction of the ideology embedded in television form and pop cultural iconography. Appropriating imagery from the 1970s TV series Wonder Woman, Birnbaum isolates and repeats the moment of the "real" woman's symbolic transformation into super-hero. Entrapped in her magical metamorphosis by Birnbaum's stuttering edits, Wonder Woman spins dizzily like a music-box doll. Through radical manipulation of this female Pop icon, she subverts its meaning within the television text. Arresting the flow of images through fragmentation and repetition, Birnbaum condenses the comic-book narrative — Wonder Woman deflects bullets off her bracelets, "cuts" her throat in a hall of mirrors — distilling its essence to allow the subtext to emerge. In a further textual deconstruction, she spells out the words to the song Wonder Woman in Discoland on the screen. The lyrics' double entendres ("Get us out from under... Wonder Woman") reveal the sexual source of the superwoman's supposed empowerment: "Shake thy Wonder Maker." Writing about the "stutter-step progression of 'extended moments' of transformation from Wonder Woman," Birnbaum states, "The abbreviated narrative — running, spinning, saving a man — allows the underlying theme to surface: psychological transformation versus television product. Real becomes Wonder in order to "do good" (be moral) in an (a) or (im)moral society."